Learning Modern, The School of the Art Institute of Chicago Sullivan Galleries, Fall 2009. The major exhibition, the centerpiece program of "Living Modern Chicago," bridges the historic roots of American modernism in Chicago and its critical role in education in the mid-20th century, linking it to the contemporary critical practices of artists, architects, and designers.

Partisan, Art Chicago 2009.

Núcleo Histórico: Eva Hesse and Robert Smithson, XXIV Bienal de Sao Paulo, Brazil, 1998 (exh. cat.)

A Forest of Signs: Art in the Crisis of Representation, Museum of Contemporary Art, Los Angeles (co-curated with Ann Goldstein), 1989 (exh. cat. The MIT Press, Cambridge and London, 1989) [essay “Art in the Age of Reagan: 1980-1988 “ reprinted in El arte último a través de sus exposiciones manifiesto 1980-1995, Anna M. Guasch, ed. (Madrid: Editorial Akal, 2000)]

East Meets West: Japanese and Italian Art Today, ART/LA88, Convention Center, Los Angeles; exhibition and symposium, co-curated with Lynn Gumpert, 1988 (exh. brochure)

Tangents, Maryland Institute, College of Art, Baltimore, 1987.  Traveled to Oakland Museum, California; and Cleveland Institute of Art; co-curated with Jann Rosen-Queralt, (exh. cat.)

A Quiet Revolution: British Sculpture Since 1965,  Museum of Contemporary Art, Chicago and San Francisco Museum of Modern Art.  Traveled to Newport Harbor Art Museum, Newport Beach, California; Hirshhorn Museum and Sculpture Garden, Washington D.C.; and Albright-Knox Art Gallery, Buffalo, New York; co-curated with Graham Beal, 1987 (exh. cat. Thames & Hudson, London, 1987)

Changing Spaces: Artists’ Projects from The Fabric Workshop and Museum,
Philadelphia. Traveled to Miami Art Museum; High Museum of Art and other Atlanta venues; The Detroit Institute of Arts; Vancouver Art Gallery; and The Power Plant Contemporary Art Gallery, Toronto, 1987  
Artists commissioned included: Marina Abramovic, Miroslaw Balka, Barbara Bloom, Christine Borland, Maria Fernanda Cardoso, Marie-Ange Guilleminot, Mona Hatoum, Jim Hodges, Narelle Jubelin, Anish Kapoor, James Luna, Keith Piper, Beverly Semmes, Jana Sterbak, Rachel Whiteread, and Yukinori Yanagi

The Electronic Language, Museum of Contemporary Art, Chicago, 1986. Featured Ping Chong's The Angels of Swedenborg (traveled to Brooklyn Academy of Music, New York; St. Louis Art Museum, Contemporary Arts Center, Cincinnati, Ohio; Walker Art Center, Minneapolis, Illusion Theater, St. Paul, Minnesota; and Carnegie Institute, Pittsburgh); Robert Ashley's Atlanta (Acts of God) (traveled to Walker Art Center, Minneapolis); and Squat Theatre's Dreamland Burns, (traveled to Museum of Contemporary Art, Los Angeles; co-curated with Nancy Hoyt

Fiber R/Evolution, Milwaukee Art Museum; traveled to Indianapolis Museum of Art, Indiana; Galleries of the Claremont Colleges, Pomona, California; University Art Gallery of the University of California at Riverside, California; Brockton Art Museum/Fuller Memorial and De Cordova and Dana Museum and Park, Lincoln, Massachusetts; and Wichita Art Museum, Kansas; co-juried with Mildred Constantine and Neda Al-Hilali, 1986 (exh. cat.)

Selections from the William J. Hokin Collection, Museum of Contemporary Art, Chicago, 1985 (exh. cat.)

Ten Years of Collecting at the MCA, Museum of Contemporary Art, Chicago, 1984 (exh. cat.)

Dada and Surrealism in Chicago Collections, Museum of Contemporary Art, Chicago, 1984 (exh. cat. In the Mind’s Eye: Dada and Surrealism, Abbeville Press, New York, 1985)

Selections from the Dennis Adrian Collection, Museum of Contemporary Art, Chicago, 1982 (exh. cat.)

A Decade of Women's Performance Art and related performances, Contemporary Arts Center, New Orleans in conjunction with College Art Association Conference; co-curated with Lucy Lippard and Moira Roth, 1980 (exh. cat. The Amazing Decade: Astro Arts Books, Los Angeles, 1983)

Kick Out the Jams: Detroit’s Cass Corridor 1963-1977,  The Detroit Institute of Arts.  Traveled to Museum of Contemporary Art, Chicago, 1980 (exh. cat.)

art/book/art, The Detroit Institute of Arts.  Traveled under statewide exhibition program to Michigan museums, 1979 (exh. cat.)

The Rouge: The Image of Industry in the Art of Charles Sheeler and Diego Rivera, The Detroit Institute of Arts; co-curated with Linda Downs, 1978 (exh. cat.)