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“Making Agora Public,” in Magdalena Abakanowicz Agora (Chicago: Richard Gray Gallery, 2008)

“Inside Out,” in Magdalena Abakanowicz: La Corte de Rey Arturo (Madrid, Museo Nacional Centro de Arte Reina Sofia, 2008)

“When Monolog becomes Dialog, “in Magdalena Abakanowicz: Cysterna (Warsaw: Centrum Sztuki Wspolczesnej Zamek Ujazdowskim, 2008)

"Flos vitae: The Flowers of Magdalena Abakanowicz,” in Magdalena Abakanowicz: Drawings (New York: Marlborough Gallery, 1999)

Magdalena Abakanowicz (Chicago: Museum of Contemporary Art and New York: Abbeville Press, 1982)  

"Anni Albers: A Modern Weaver as Artist," in The Woven and Graphic Art of Anni Albers (Washington, D.C.: The Smithsonian In­stitution Press, 1985)

Alice Aycock (Chicago: Museum of Contemporary Art, Chicago, 1983)      

“Transcendent Forms” in Howard Ben Tre (New York: Hudson Hills Press, 1999)

"Cultural Gifting," in Bik Van der Pol - with love from the kitchen (Rotterdam: NAI Publishers, 2005)

Christian Boltanski: Lessons of Darkness (Los Angeles: Museum of Contemporary Art, New York: The New Museum of Contemporary Art, and Chicago: Museum of Contemporary Art, 1988)

“papiers pleins—pensées-plumes—paroles privées,” in Louise Bourgeois (Cologne: Karsten Greve Gallery, 1999)

Alberto Burri: Annottarsi (New York: The Rayburn Foundation, 1988)

Richard Deacon (Los Angeles: Museum of Contemporary Art, 1988)

Contributor to America Starts Here: Kate Ericson and Mel Ziegler (Saratoga Springs, New York: Tang Museum of Art/Skidmore College, 2006)

"Dianna Frid," in Crossings: 10 Artists from Chicago & Kaohsiung (Kaohsiung, Taiwan: Kaohsiung Museum of Fine Arts, 2005)

Shihoko Fukumoto: Shades of Indigo Blue (New York and Tokyo: Takashimaya, Co., Ltd.,1993)

Ann Hamilton (Los Angeles: Museum of Contemporary Art, 1988)

"Containment and Caos: Eva Hesse and Robert Smithson,” in Núcleo Histórico: Antropofagia e Historias de Canibalismos (Sao Paulo: XXIV Bienal de Sao Paulo, 1998)   

“Introduction: Letter to the Artist on the Tenth Anniversary of the Rwandan Genocide,”  in Alfredo Jaar : The Fire This Time (Milan: Charta, 2005)

Ritzi and Peter Jacobi (Detroit: The Detroit Institute of Arts, 1981)

“softshouldersbigshoulders,” with Russell Lewis in Narelle Jubelin: Soft Shoulder (Chicago: The Renaissance Society at The University of Chicago and New York: Grey Art Gallery & Study Center, New York University, 1994)

"Being with Cloug Gate" in Anish Kapoor: Past, Present, Future (Boston: Institute of Contemporary Art, Boston, 2008)

"Jannis Kounellis in Chicago,” in Kounellis (Barcelona: Ediciones Poligrafia S.A. and New York: Rizzoli Interna­tional, 1990)

Jannis Kounellis (Chicago: Museum of Contemporary Art and Milan: Arnoldo Mondadori Editore, 1986)

Shigeko Kubota Video Sculpture (New York: The American Museum of the Moving Image, 1991)

“Against,” in Daniel Martinez: Things You See When You Don’t Have a Grenade (Santa Monica: Smart Art Press, 1996)

Gordon Matta-Clark: A Retrospective (Chicago: Museum of Contemporary Art, 1985)

"Ana Mendieta," in Santeria Aesthetics in Contemporary Latin American Art, Arturo Lindsay, ed. (Washington, D.C.: Smithsonian Institution Press, 1995) [originally published in Ana Mendieta (New York: Galerie Lelong, 1991)]

Mario Merz at MOCA (Los Angeles: Museum of Contemporary Art and Milan: Fabbri Editori, 1989)

Robert Morris: Work of the Eighties (Chicago: Museum of Contemporary Art and Newport Beach: Newport Harbor Art Museum, 1986)

Dieter Roth (Chicago: Museum of Contemporary Art, Chicago, 1984)

“The Critical Craftsmanship of Joyce Scott,” in Joyce Scott (Baltimore Museum of Art and Maryland Institute/College of Art, 1999); also essay in Spiritual/Presense: Joyce Scott, Judy Onofrio, Alison Saar (St. Louis: Laumeier Sculpture Park and Museum, 2000)

The Rouge: The Image of Industry in the Art of Charles Sheeler and Diego Rivera (Detroit: The Detroit Institute of Arts, 1978)

Nancy Spero (Los Angeles: Museum of Contemporary Art, 1988)

Carrie Mae Weems, DAK’ART 98, Galerie Nationale d’Art, Dakar, Senegal (Philadelphia: The Fabric Workshop/Museum in association with Art America, United States Information Agency, 1994)

Margaret Wharton (Chicago: Museum of Contemporary Art, 1981)

“Frances Whitehead’s Hortus Obscurus (the black garden)” (St. Louis: Laumeier Sculpture Park, 2001)

ARTISTS AND MOVEMENTS [top]

The Studio Reader, edited by Mary Jane Jacob and Michelle Grabner (Chicago: University of Chicago Press, forthcoming 2010)

Learning Mind: Experience Into Art (Berkeley: University of California Press, 2009)

Buddha Mind in Contemporary Art (Berkeley: University of California Press, 2004)

A Forest of Signs: Art in the Crisis of Representation (Madrid: Editorial Akal, 2000)

American Visions/Visiones de las Americas: Artistic and Cultural Identity in the Western Hemisphere (New York: American Council for the Arts with Allworth Press, 1994)

“The Continuing Tradition: The Impact of Surrealism on Contemporary Art,” in Revolution by Night (Canberra: National Gallery of Australia, 1993)

Small Works in Fiber: The Mildred Constantine Collection (Cleveland: The Cleveland Musuem of Art, 1993)

Coast to Coast: Artists Return to The School of the Art Institute of Chicago (Chicago: The Betty Rymer Gallery, The School of the Art Institute of Chicago, 1991)

A Quiet Revolution: British Sculp­ture Since 1965 (London: Thames & Hudson, 1987)

Tangents: Art and Fiber (Baltimore: Maryland Institute, College of Art, 1987)

Fiber R/Evolution (Milwaukee: Milwaukee Art Museum, 1986)

Selections from the William J. Hokin Collection (Chicago: Museum of Contemporary Art, Chicago, 1986)            

In the Mind’s Eye: Dada and Surrealism (New York: Ab­beville Press: New York, 1985)

Ten Years of Collecting at the MCA (Chicago: Museum of Contemporary Art, 1984)

Selections from the Dennis Adrian Collection (Chicago: Museum of Contemporary Art, 1982)

Kick Out the Jams: Detroit’s Cass Corridor 1963-1977 (Detroit: The Detroit Institute of Arts, 1980)

Contributor to The Amazing Decade: Women and Performance Art in America (Los Angeles: Astro Arts Books, 1983)

art/book/art (Detroit: The Detroit Institute of Arts, 1979)